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Costumes or Mashetani? How Kenyan Parents See Halloween

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Halloween was last weekend, and once again, it had Kenyans talking. The celebration, known for costumes, decorations, and themed parties, is steadily appearing in Nairobi schools, estates, and workplaces. But among parents, it remains one of the most debated cultural imports, with strong opinions on both sides.

Digital creator Murugi Munyi was among those who expressed clear opposition. She said that although she considers herself open-minded and liberal, Halloween is a boundary she will not cross in her home. According to her, dressing like ghosts and demonic figures is not simply make-believe.

In her words, “Izo ni mashetani.” She believes that there is spiritual power in such imagery, and inviting it into one’s home or children’s environment goes against the values she upholds. Several parents agreed with her, with one remarking, “Imagine rebuking evil all year only to welcome it on Halloween!” Another wrote, “This is when demons thrive.

Those wearing the costumes have already invited them. It’s deeper than we know.” For many Kenyan households where faith plays a central role, Halloween feels spiritually unsafe.

However, not everyone views Halloween in this light. Other parents shared more relaxed experiences centered on fun and creativity rather than spirituality. A parent named Kwamboka explained that Halloween does not have to involve ghosts or horror imagery.

She shared how she once dressed as a nun while heavily pregnant and even won a costume competition at work. To her, it was simply enjoyable and lighthearted. Another parent added that Halloween, as celebrated in modern culture, can be about imitating any character, including superheroes, cartoon figures, or historical icons, not necessarily dark or scary ones.

For these parents, Halloween is just an adventurous day to dress up, laugh, bond, and try something different.

The debate even reached public figures. Senator Karen Nyamu said she instructed her children to let their teachers know there would be no Halloween in their home. Her comment resonated with parents who feel that schools should consult families before introducing celebrations that may conflict with cultural or religious beliefs.

What the Halloween conversation really reveals is how deeply Kenyan parents care about the influences surrounding their children. Every decision, from which celebrations to allow to how children are taught to interpret symbols, comes from a place of protection, belief, and love.

Some families feel that introducing Halloween compromises spiritual and cultural grounding. Others see it as harmless creativity and cultural exchange.

There is no universal answer, and perhaps there doesn’t need to be one. Each home is guided by its own values and comfort levels. Whether your family chooses to participate or not, what matters is being intentional.

Explain the “why” to your children, stand by what feels right for your household, and respect that other families are making decisions rooted in their own care and conviction.

In the end, the conversation about Halloween is not just about costumes. It is about identity, spirituality, and the evolving nature of childhood in a global world. Families will continue to choose differently, and that is okay.

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Cover Story

Why tactile textures are more important than trends for a cosy home

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Have you ever sunk your fingers into a soft velvet cushion, wrapped yourself in a chunky throw blanket that feels like a hug, or stepped onto a plush rug that instantly makes the whole day feel better? That little moment when your body just relaxes because of the way something feels? That is the real magic of tactile textures. They’re what turn a house into a home that actually comforts you.

Chasing the latest interior trends ? You can skip that stress. The thing that really makes a space feel cosy and welcoming isn’t whatever’s trending right now.  One minute everyone’s doing clean minimal white everything, the next it’s moody dark walls or big curved sofas. But textures? They stick around because they connect with you on a deeper level.
Touch is the sense that makes us feel safe and calm the quickest. When your home has soft velvets, nubby wools, smooth linens, and cozy fabrics, it stops being just pretty and starts feeling personal and warm.

Instant cosy vibes

 Texture creates that instant cosy feeling. Flat, shiny, hard surfaces can feel a bit cold and empty. But bring in a velvet sofa, a boucle chair, some woven pillows, a fur throw blanket or a thick rug underfoot and the whole room warms up. It’s that cuddly vibe people crave but because it actually makes you feel good and relaxed at the end of a long day.

Depth without clutter

Texture also brings depth and character without clutter. You don’t need endless décor pieces to make a space interesting. Simple contrasts do the work: rough jute beside flowing curtains, wool cushions against leather, natural wood grain paired with soft fabrics. These layers add richness while keeping the space calm and effortless.

Science of comfort

There is a science behind it too. Touch has a powerful influence on our emotions. Soft, varied textures help soothe the nervous system, absorb sound and create a sense of safety. It’s why sensory-led interiors are gaining attention.They support how we feel, not just how a room photographs.

Beauty that ages gracefully

Unlike trends, texture ages beautifully. That viral paint finish or statement lamp may feel exciting now, but it can date quickly. Velvet softens over time, bouclé develops character, woollen pieces become even cosier with every wash. When you choose pieces for how they feel, your home evolves instead of feeling stuck in a specific moment.

A truly cosy home isn’t about what’s popular, it’s about what feels good the moment you walk in. Step away from the endless scrolling. Layer plush fabrics, natural materials and gentle contrasts. Create a space that welcomes you with comfort, every single time.

Read our festive issue here

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From Kibera to London: AfroWema Triumphs at Africa Fashion Week London 2025

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AfroWema, the sustainable fashion label born in the heart of Kibera, lit up the runway at Africa Fashion Week London (AFWL) 2025, unveiling its daring new collection, Savage Beauty. Backed by the Best Seller Foundation, the brand’s debut on one of the world’s leading platforms for African design marked a defining moment — a leap from Nairobi’s informal settlements to the global stage of fashion excellence.

“We took sustainable African fashion straight into the heart of London,” said AfroWema founder and creative director Tatiana Teixeira after the show. “This was more than fashion — it was culture, impact, and global recognition.”

The Savage Beauty collection stunned audiences with its bold fusion of sustainability, cultural heritage, and avant-garde design. Inspired by the vibrant streets of Nairobi and the dramatic silhouettes of African architecture, the collection celebrated what Teixeira described as “beautiful rebellion” — pushing back against fast fashion’s waste while honoring the enduring beauty of African textiles.

Each piece told a story of transformation and pride. AfroWema worked with Mr. Green Africa to source upcycled denim, collaborated with Kenyan cooperatives to create ethically woven cotton, and incorporated rare Kitenge fabrics from Ghana and Nigeria. All of this was brought to life through co-creation with artisans from Kibera, Nairobi’s largest informal settlement. Models walked the runway in sculpted denim gowns, flowing cotton dresses, and richly patterned ensembles that blended traditional motifs with modern silhouettes.

The collection drew widespread praise from fashion critics, who hailed AfroWema as one of Africa’s most exciting design voices. Beyond the glamour of the catwalk, it was also a statement of empowerment. Every garment was handcrafted by AfroWema’s collective of tailors, designers, and youth from Kibera, with each stitch infused with resilience and artistry. From discarded garments reborn as couture to traditional patterns reimagined in contemporary forms, the brand redefined what ethical luxury could be.

Savage Beauty is more than a fashion statement,” Teixeira affirmed. “It’s a movement proving that sustainability and luxury can — and must — go hand in hand.”

Founded in 2022, AfroWema has quickly built a name as a cross-continental brand bridging Kenya and Portugal, championing circular fashion and community-driven creativity. For the artisans of Kibera, the AFWL stage was not just a showcase but proof that talent born in overlooked places can shape global style conversations.

About AfroWema

Founded in 2022 by Tatiana Teixeira, AfroWema is a sustainable luxury fashion brand that bridges Kenya and Portugal. With a mission to empower marginalized artisans and preserve African heritage, AfroWema creates ethically crafted pieces using upcycled materials and traditional craftsmanship. The brand champions circular fashion, slow production, and community-led creativity.

AfroWema works closely with tailors, designers, and youth from Kibera, offering training, consistent work, and global exposure. Every piece is a wearable story of identity, resilience, and artistry.

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Bold Designs, Green Futures: Nairobi Fashion Week 2025 Highlights African Innovation in Regenerative Fashion

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The fashion industry is a major contributor to textile waste and carbon emissions with billions lost each year due to the underutilization of clothes and lack of recycling. It is estimated that the sector produces around 92 million tonnes of textile waste annually, which is equivalent to a rubbish truck full of clothes being dumped every second. In addition, the industry is also responsible for about 10percent of global carbon emissions, which is more than all international flights and maritime shipping combined. When it comes to the impact of second-hand clothes or mitumbas, it is estimated that in recent years over 300 million items of damaged or unsellable clothing made of synthetic – or plastic – fibers are exported to Kenya annually where they end up dumped, land filled or burned, exacerbating the plastic pollution crisis.

With the global fashion industry accounting for significant environmental challenges, the urgency for regenerative fashion has never been more critical.

The Kenyan fashion industry is increasingly making strides toward sustainability, with a growing awareness of the environmental and social impacts of traditional fashion practices. As the global fashion industry faces an urgent need to adopt sustainable practices, African designers are leading the charge by integrating regenerative fashion principles that go beyond simply reducing environmental harm. Season Seven of the Nairobi Fashion Week shone a spotlight on the next generation of designers who are redefining fashion for a more sustainable and restorative future.

Among the Kenyan designers who showcased include:

Eva Wambutu, A sustainable fashion designer who believes that sustainability in fashion is all about creating responsibly—minimizing waste, repurposing materials, and producing garments that have longevity. For her, sustainability goes beyond environmental impact to include ethical production, skill-building, and innovative approaches that ensure fashion contributes to both cultural and economic growth and she showcases this by repurposing waste fabric using techniques like cording, appliqué, bleaching, and sanding to create new textiles. These fabrication methods are developed and taught within the workshop, ensuring continuous innovation. She also works with organic fabrics such as denim, linen, cotton, and raw silk to produce collections that align with sustainable fashion principles.

Kyllie Muchiri of Merkeba brand believes that sustainability is all about ensuring that the ecosystems serves a people ethically, allowing them to truly live in their higher self fashionably.

Merkeba shows sustainability by repurposing fabrics from Gikomba to make their products. In addition, they host at rhythm and thread which  is a safe spaces where fashion enthusiasts up-cycle their old clothes while learning and developing their art skills.  This helps us spread awareness on sustainable fashion and expression.

 

Maisha by Nisria is a non-profit fashion and design studio from Nakuru Kenya that creates unique and handmade clothes from upcycled materials. Maisha offers a unique approach to fashion; they challenge the linear treatment of unused textiles by employing upcycling and creative reuse, to transform old clothing and fabrics into contemporary fashion pieces.

Tatiana Teixeira the founder of Afro Wema a beacon of sustainable fashion, weaving together culture, creativity, and conservation. The inspiration to start the project came from her time volunteering in Kibera, where Tatiana saw immense artistic talent that lacked opportunities.

She desired to merge sustainability with cultural storytelling, giving artisans a global platform while promoting ethical fashion. Their designs incorporate upcycled denim from Kibera, ethically sourced cotton from Tosheka, and Kitenge fabrics from different African regions, ensuring minimal waste and supporting local economies. Additionally, we work with artisans, providing fair wages and training opportunities to help uplift marginalized communities.

Jewellery and accessories brand Apar Gadek also added a unique flair to the event. Led by designer Shirley Anyango in collaboration with artisans from Kibera, Apar Gadek offers distinctive pieces made from materials like brass, recycled glass beads, and upcycled cow horn and bone, each item telling its own story. Shirley ensures that her jewelry is created from the highest quality possible using these recycled materials and she educates buyers on the environment and the need to buy sustainable items.

LA OCULTA: is another fashion house that’s has a fascinating journey through the cultural crossroads between Colombia and Africa. Inspired in the deep-rooted connections that link these two magical places, LA OCULTA is a women’s clothing and accessories brand that blends geographically distant materials, unique craftsmanship and a palette of neutral colors in a minimalist and timeless designs. The brand is deeply committed to both the environment and our community and strives to minimize their ecological footprint by employing sustainable, natural, and recycled processes, inputs, and materials in all our operations. They also take pride in working hand in hand with artisan communities, driving a social and transformative impact.

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