PARIS — French President Emmanuel Macron took first place, ahead of far-right leader Marine Le Pen, in the first round of France’s presidential election on Sunday, but he is on course for a far closer second-round clash than five years ago.
While polling suggests Macron should retain the presidency in two weeks, first round results show the incumbent can’t rest on his laurels.
Le Pen will be able to count on voters from far-right TV-pundit-turned-politician Eric Zemmour, who called on his supporters to back her on April 24. Meanwhile, leftist firebrand Jean-Luc Mélenchon fared better than expected and brings a heavy dose of uncertainty to the mix as his voters are a diverse bunch. Many are likely to abstain in the second round, while others will divide up between the French president and Le Pen.
Here are five takeaways from the presidential election’s first round:
“Politics is war without bloodshed while war is politics with bloodshed.”
France’s repeat of the 2017 runoff confirms Macron’s and Le Pen’s own political analysis: That the divide between the left and the right is no longer relevant in France and has been replaced by an opposition between a mainstream bloc that is pro-European and open to the outside world on one side, and nationalists on the other. Both candidates scored higher than five years ago, leaving the traditional right and left in an even more shambolic state than before. Macron went from 24 percent in 2017 in the first round to 27.6 percent Sunday and Le Pen went from 21.3 percent to 23.4 percent.
The gap between them is higher than last time around, showing that Macron has managed to drum up the most votes despite controversies in the campaign’s last mile, including over the state’s overuse of consulting firms. But the far-right bloc — Marine Le Pen, Eric Zemmour and nationalist Nicolas Dupont-Aignan combined — garnered than 30 percent of the total vote.
I describe the “fun” parts of Only Yesterday because they’re wonderful, but also to make a point about the origin story we’ve learned about the mood of the ’20s. Looking back at Allen’s work from the vantage point of 1986, historian David M. Kennedy argued that the biggest failing of the book was its lack of historical depth: “Rarely did Allen forge an explanatory chain whose links ran back more deeply into the past than 1917.” And indeed, Allen seemed to blame World War I for every ash-covered carpet and scarred dining table.
Allen is also really good at describing parties—or, at least, the ones the middle class and upper class attended. The historian wrote about how women taking up smoking had “strewed the dinner table with their ashes, snatched a puff between the acts, invaded the masculine sanctity of the club car, and forced department stores to place ornamental ash-trays between the chairs in their women’s shoe departments.” In what I think may be the best passage in the book, Allen described the way 1920s partygoers stepped all over every previous genteel convention:
Anyway, let’s get to that fun. A very joyful book to read about the decade is Frederick Lewis Allen’s Only Yesterday: An Informal History of the 1920s, which Allen—a blueblood journalist and editor at Harper’s—published in 1931. The book chronicles all of the movement and motion that makes the decade sexy, and doesn’t seem to miss a fad.
The property, complete with a 30-seat screening room, a 100-seat amphitheater and a swimming pond with sandy beach and outdoor shower, was asking about $40 million, but J. Lo managed to make it hers for $28 million. As the Bronx native acquires a new home in California, she is trying to sell a gated compound.
Popular in human interest:
Parents Are Fed Up With Their Kids’ Expensive Berry Habits
15 Mother’s Day Gifts for the Burned-Out Mom in Your Life
Really Though, What Jeans Are in Style Now?
Don’t Fall for Fertility Fearmongering About Trans Men
Perhaps by remembering the twenties merely as an enchanting series of novelties or the crude afterthought of a simpler past, we preserve the illusion of our own simple innocence,” mused historian Paula Fass in the introduction to her book The Damned and the Beautiful: American Youth in the 1920s.
Whether that means there will be a longer-term far-right alliance is an open question. Nicolas Bay and Gilbert Collard — two MEPs who left Le Pen’s party to join Zemmour — didn’t endorse a possible alliance with Le Pen, in case she wins the second round.
Zemmour, a 63-year-old TV pundit-turned-politician, was once tipped to come second behind Macron, back in October. But he plummeted spectacularly in the polls after suffering from a perceived lack of credibility as the Ukraine war started and former comments praising Russian President Vladimir Putin resurfaced. He scored a measly 7 percent. Despite their bitter and unrelenting fighting throughout the campaign, he swiftly endorsed Marine Le Pen.
“I have disagreements with Marine Le Pen,” Zemmour said at his concession speech Sunday, “but there is a man facing Marine Le Pen who has let in 2 million immigrants … who would therefore do worse if he were reelected — it is for this reason that I call on my voters to vote for Marine Le Pen.”
Have you ever sunk your fingers into a soft velvet cushion, wrapped yourself in a chunky throw blanket that feels like a hug, or stepped onto a plush rug that instantly makes the whole day feel better? That little moment when your body just relaxes because of the way something feels? That is the real magic of tactile textures. They’re what turn a house into a home that actually comforts you.
Chasing the latest interior trends ? You can skip that stress. The thing that really makes a space feel cosy and welcoming isn’t whatever’s trending right now. One minute everyone’s doing clean minimal white everything, the next it’s moody dark walls or big curved sofas. But textures? They stick around because they connect with you on a deeper level.
Touch is the sense that makes us feel safe and calm the quickest. When your home has soft velvets, nubby wools, smooth linens, and cozy fabrics, it stops being just pretty and starts feeling personal and warm.
Instant cosy vibes
Texture creates that instant cosy feeling. Flat, shiny, hard surfaces can feel a bit cold and empty. But bring in a velvet sofa, a boucle chair, some woven pillows, a fur throw blanket or a thick rug underfoot and the whole room warms up. It’s that cuddly vibe people crave but because it actually makes you feel good and relaxed at the end of a long day.
Depth without clutter
Texture also brings depth and character without clutter. You don’t need endless décor pieces to make a space interesting. Simple contrasts do the work: rough jute beside flowing curtains, wool cushions against leather, natural wood grain paired with soft fabrics. These layers add richness while keeping the space calm and effortless.
Science of comfort
There is a science behind it too. Touch has a powerful influence on our emotions. Soft, varied textures help soothe the nervous system, absorb sound and create a sense of safety. It’s why sensory-led interiors are gaining attention.They support how we feel, not just how a room photographs.
Beauty that ages gracefully
Unlike trends, texture ages beautifully. That viral paint finish or statement lamp may feel exciting now, but it can date quickly. Velvet softens over time, bouclé develops character, woollen pieces become even cosier with every wash. When you choose pieces for how they feel, your home evolves instead of feeling stuck in a specific moment.
A truly cosy home isn’t about what’s popular, it’s about what feels good the moment you walk in. Step away from the endless scrolling. Layer plush fabrics, natural materials and gentle contrasts. Create a space that welcomes you with comfort, every single time.
Halloween was last weekend, and once again, it had Kenyans talking. The celebration, known for costumes, decorations, and themed parties, is steadily appearing in Nairobi schools, estates, and workplaces. But among parents, it remains one of the most debated cultural imports, with strong opinions on both sides.
Digital creator Murugi Munyi was among those who expressed clear opposition. She said that although she considers herself open-minded and liberal, Halloween is a boundary she will not cross in her home. According to her, dressing like ghosts and demonic figures is not simply make-believe.
In her words, “Izo ni mashetani.” She believes that there is spiritual power in such imagery, and inviting it into one’s home or children’s environment goes against the values she upholds. Several parents agreed with her, with one remarking, “Imagine rebuking evil all year only to welcome it on Halloween!” Another wrote, “This is when demons thrive.
Those wearing the costumes have already invited them. It’s deeper than we know.” For many Kenyan households where faith plays a central role, Halloween feels spiritually unsafe.
However, not everyone views Halloween in this light. Other parents shared more relaxed experiences centered on fun and creativity rather than spirituality. A parent named Kwamboka explained that Halloween does not have to involve ghosts or horror imagery.
She shared how she once dressed as a nun while heavily pregnant and even won a costume competition at work. To her, it was simply enjoyable and lighthearted. Another parent added that Halloween, as celebrated in modern culture, can be about imitating any character, including superheroes, cartoon figures, or historical icons, not necessarily dark or scary ones.
For these parents, Halloween is just an adventurous day to dress up, laugh, bond, and try something different.
The debate even reached public figures. Senator Karen Nyamu said she instructed her children to let their teachers know there would be no Halloween in their home. Her comment resonated with parents who feel that schools should consult families before introducing celebrations that may conflict with cultural or religious beliefs.
What the Halloween conversation really reveals is how deeply Kenyan parents care about the influences surrounding their children. Every decision, from which celebrations to allow to how children are taught to interpret symbols, comes from a place of protection, belief, and love.
Some families feel that introducing Halloween compromises spiritual and cultural grounding. Others see it as harmless creativity and cultural exchange.
There is no universal answer, and perhaps there doesn’t need to be one. Each home is guided by its own values and comfort levels. Whether your family chooses to participate or not, what matters is being intentional.
Explain the “why” to your children, stand by what feels right for your household, and respect that other families are making decisions rooted in their own care and conviction.
In the end, the conversation about Halloween is not just about costumes. It is about identity, spirituality, and the evolving nature of childhood in a global world. Families will continue to choose differently, and that is okay.
AfroWema, the sustainable fashion label born in the heart of Kibera, lit up the runway at Africa Fashion Week London (AFWL) 2025, unveiling its daring new collection, Savage Beauty. Backed by the Best Seller Foundation, the brand’s debut on one of the world’s leading platforms for African design marked a defining moment — a leap from Nairobi’s informal settlements to the global stage of fashion excellence.
“We took sustainable African fashion straight into the heart of London,” said AfroWema founder and creative director Tatiana Teixeira after the show. “This was more than fashion — it was culture, impact, and global recognition.”
The Savage Beauty collection stunned audiences with its bold fusion of sustainability, cultural heritage, and avant-garde design. Inspired by the vibrant streets of Nairobi and the dramatic silhouettes of African architecture, the collection celebrated what Teixeira described as “beautiful rebellion” — pushing back against fast fashion’s waste while honoring the enduring beauty of African textiles.
Each piece told a story of transformation and pride. AfroWema worked with Mr. Green Africa to source upcycled denim, collaborated with Kenyan cooperatives to create ethically woven cotton, and incorporated rare Kitenge fabrics from Ghana and Nigeria. All of this was brought to life through co-creation with artisans from Kibera, Nairobi’s largest informal settlement. Models walked the runway in sculpted denim gowns, flowing cotton dresses, and richly patterned ensembles that blended traditional motifs with modern silhouettes.
The collection drew widespread praise from fashion critics, who hailed AfroWema as one of Africa’s most exciting design voices. Beyond the glamour of the catwalk, it was also a statement of empowerment. Every garment was handcrafted by AfroWema’s collective of tailors, designers, and youth from Kibera, with each stitch infused with resilience and artistry. From discarded garments reborn as couture to traditional patterns reimagined in contemporary forms, the brand redefined what ethical luxury could be.
“Savage Beauty is more than a fashion statement,” Teixeira affirmed. “It’s a movement proving that sustainability and luxury can — and must — go hand in hand.”
Founded in 2022, AfroWema has quickly built a name as a cross-continental brand bridging Kenya and Portugal, championing circular fashion and community-driven creativity. For the artisans of Kibera, the AFWL stage was not just a showcase but proof that talent born in overlooked places can shape global style conversations.
About AfroWema
Founded in 2022 by Tatiana Teixeira, AfroWema is a sustainable luxury fashion brand that bridges Kenya and Portugal. With a mission to empower marginalized artisans and preserve African heritage, AfroWema creates ethically crafted pieces using upcycled materials and traditional craftsmanship. The brand champions circular fashion, slow production, and community-led creativity.
AfroWema works closely with tailors, designers, and youth from Kibera, offering training, consistent work, and global exposure. Every piece is a wearable story of identity, resilience, and artistry.